sideA
Caverna Magica
Mandragora
Lunar Pond
Schajah Saretosh
Sena Stanjena
sideB
Belladonna
Angoh!
Huiziopochtli
Con Chiglia
Geastrum Coronatum
Pace Verde
artists/instruments
Andreas Vollenweider ... Electroacoustic, Modified Pedal Harp, Cheng, & UFO*
Pedro Haldemann ... Rhythmanatomic Acousticolors, & UFO*
Walter Keiser ... Drumming Centre of Gravity, & UFO*
Corina Curschellas ... Moonvoice - Snakevoice
Jon Otis ... Weaver of the Bata Drum Net
Eric Merz ... Architect of the Sound Buildings
Roger Bonnot ... Natural Sound Adventurer
* UFO = Unidentified Finedrawn Overcast
Although Caverna Magica was his second album, this 1983 release is what put Andreas Vollenweider on the space music map. The music is lightly jazzy, performed on modified harp, "rhythmanatomic acousticolors and UFO," and drums, with vocal colorings which come and go.
(allmusic.com biography in the comments)
320kbps
pw=MrC-23-
http://rapidshare.com/files/9125147/AV-CMvr.rar












9 comments:
allmusic.com biography..
Andreas Vollenweider was one of the few musicians to gain superstar status as a "new age artist" back when the term was first used as a marketing category in the mid-'80s. The Swiss harpist, however, quickly transcended the need for alternative record sales when his albums simultaneously broached Billboard's pop, jazz, and classical charts in 1986. Born in Zurich in 1953, Vollenweider was ensconced in the city's fine art scene, courtesy of his father, one of Europe's leading organists. After becoming proficient on guitar, flute, and other instruments, the young Vollenweider developed a passion for the harp, which he modified to suit his needs. Not only did he construct a damper to expedite more rhythmic playing, he broadened the harp's tonal range by electrifying it. His buoyant funk beats, exotic pan-cultural influences, and colorful harp improvisations began to sweep Europe in the early '80s as Vollenweider signed with CBS Records to release Behind the Gardens...Behind the Wall. Three albums later, he won his first Grammy for 1987's Down to the Moon. Over the years, Vollenweider has managed to maintain his artistic integrity and vision despite increasing commercial success. The harpist's 1991 album Book of Roses is a testament to his ability to expand his scope as a composer while keeping his trademark sound intact; after a lenghty hiatus, he issued Kryptos in 1998, followed two years later by Cosmopoly.
Caverna Magica is such a so tropical sound that, when I found it, I hardly believe it was created by a Swiss. But lately I realize: Andreas has a universal sound soul, and there's no borders for his creativity. The music of this album sounds in my head as it come out from a desert in Spain, a cave in my lovely rain forest (I'm brazilian and leave near some of the most beautiful places in my country), a river in Japan and maybe even outerspace. It is wonderful.
Getúlio Freitas (Brazil)
este es un album que marco mi tendencia musical en sus años, agradesco el aporte enormemente ya que mi disco fue extraido contra mi voluntad desde mi residencia.
p.d: no encuentro la pass para el archivo.
password=MrC-23-
Thank you very much and she forgives not to see the pass in your blog, I am a bit absent-minded.
Rodrigo, from chili
p.d: sorry my english
greetings Rodrigo!
hope you enjoy!!
peace
MrC ;)
Hello, I am wondering why this vinyl rip is longer about 5 minutes then cd version, the side B should last 18 minutes, should'n it? Could you please comment? I was leasening vinyl sound in my CD for the first time - nice experience and pleasure mostly because of Andreas's harp nostalgic echo of my childhood.Thanks.
big greetings Marek!
...sorry, but i do not know the answer to your question .. it is nearly a year since i listened to the vinyl, & i have not heard/seen the cd
sorry i'm no help!
enjoy & peace
MrC ;)
I had examined other internet resources and it seemed that there is some discrepancies in Caverna Magica releases. The newest CD remastered enhanced edition has even more additional tracks. Magical disc anyway....:)
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